The last time we wrote about a benefit concert for Haiti (Rise Up International’s event at the Domino Room), there were predictions that news about the impoverished country and the devastating earthquake that killed so many of its citizens would soon vanish from the headlines. At that time, just a few weeks after the January quake, this didn’t seem possible. But just this has happened – Haiti isn’t in the regular news cycle that anymore.

In Bend, there have been continuing efforts and special events to raise relief money for the country and its people, but it seems even talk of those efforts has quieted down. This is all changing this week, however, with perhaps the largest-scale Haiti relief event coming to Bend on Friday, the Bend for Haiti benefit at the Tower Theatre.

Laura Gibson & Ethan Rose

Bridge Carols

Halocene Music

The newest offering from beloved Portland folkie, Laura Gibson, is a kooky but refreshing little record. Gibson, a warbling, marbly mouthed singer, breaks with her usual style by pairing up with instrumentalist Ethan Rose on Bridge Carols, an album of seven strange and simple songs. For the most part, Gibson’s vocals are front and center here, with Rose weaving a tapestry of quiet plinks, placid drones and gentle static behind her. As a lyricist, Gibson keeps things simple and stark.

On Tuesday night, two men will be blowing their horns here in Central Oregon and both will be getting terribly funky. One specializes in the saxophone while the other favors the trombone but their styles both weave through the realms of jazz, soul and, again, the funkiest of funk.

There are plenty of other similarities to be found between these two men and their dance-happy sounds, but where they diverge is the 43-year age gap between them. The man on the saxophone is Maceo Parker, one of the forefathers of funk music, and the other is Trombone Shorty (real name: Troy Andrews) the 24-year-old New Orleans virtuoso who has already generated a mystique of his own, having burst onto the scene as a youth on his namesake instrument.

Quasi

American Gong
Kill Rock Stars Records

All along — when Janet Weiss and Sam Coomes weren’t busying themselves with Heatmiser and Sleater-Kinney and the Jicks, or being married and then being divorced — they were Quasi. So when they do occasionally choose to wear their Quasi pants, fans freak. On American Gong, Quasi’s eighth record, the band (now a trio) offers more of what makes people love them: out of nowhere jams, lullaby-choruses, sing-song rhymes and dissonant juxtapositions. In fact, it’s a bit of a show-off record—not hoity-toity, but a portfolio, almost, of everything they’re capable of. “Bye Bye Blackbird” starts as a contagious, loud-quiet-loud rock song, before shuffling off into an all-out jam session.